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CertificationPG Our Rating

Classic Hitchcock crime caper, with Milland as the scheming husband who thinks he's planned the perfect murder. But his plot goes pear-shaped when wife Margot (Kelly) stabs her would-be killer, plunging hubby even deeper into his web of deceit and blackmail. Tense and clever, if slightly stagey. find out more...

Certification15 Our Rating

A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

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CertificationPG Our Rating

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...


CertificationPG Our Rating

Undoubtedly one of Hitch's best. An innocent businessman is mistaken for a spy by enemy agents and learns the true meaning of persecution, while a deceptively beautiful blonde in the pay of his tormentors steals his heart. A tense and compulsively gripping nice-guy's nightmare. Obligatory viewing. find out more...
REBECCA (1940)

CertificationPG Our Rating

A psycho-chiller/thriller from the master of the genre as the naive young wife of a rich Cornish land owner is haunted by the image of his first glamorous wife, Rebecca. The usual mix of pyschology and fine film making, and widely considered to be one of Hitchcock's best works. Best Picture at the 1940 Academy Awards. find out more...

Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...